Three switchable polar patterns: cardioid, omnidirectional, figure-of-eight
Specifically engineered for professional recording, broadcast, and sound reinforcement applications
Transformer-coupled output and specially tuned element deliver vintage F.E.T. studio microphone characteristics
Exceptionally low self-noise, wide dynamic range, and high SPL capability ensure superior audio capture
Dual-diaphragm capsule design maintains precise polar pattern definition across the microphone’s frequency range
Precision-machined nickel-plated brass acoustic element baffle enhances stability and sensitivity
Vintage silver-matte finish on both the microphone and shock mount for aesthetic appeal
Symmetrical housing assembly minimizes unwanted internal reflections for an open acoustical environment
Custom shock mount provides superior isolation for reduced handling noise
Integral 80 Hz high-pass filter switch and 10 dB pad switch offer additional flexibility
Certified by the METAlliance (Music Engineering and Technology Alliance)
| Element | Externally-polarized (DC bias) condenser |
|---|---|
| Polar Pattern | Cardioid, Omnidirectional, Figure-of-eight |
| Frequency Response | 20-18,000 Hz |
| Low Frequency Roll Off | 80 Hz, 12 dB/octave |
| Open Circuit Sensitivity | -42 dB (7.9 mV), re 1V at 1 Pa |
| Maximum Input Sound Level | 155 dB SPL, 1 kHz at 1% T.H.D.; 165 dB SPL, with 10 dB pad (nominal) |
| Noise | 14 dB |
| Dynamic Range | 141 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | 80 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 48V DC, 3.4 mA typical |
| Switches | Polar selection; Flat, roll-off; 10 dB pad (nominal) |
| Weight | 524 g (18.5 oz) |
| Dimensions | 188.0 mm (7.40″) long, 53.4 mm (2.10″) maximum body diameter |
| Output Connector | Integral 3-pin XLRM-type |
| Output Connectors | Integral 3-pin XLRM-type |
| Accessories Included | AT8449a/SV shock mount for 5/8″-27 threaded stands; microphone dust cover; protective carrying case |
| Audio-Technica Case Style | R1 |
