Every successful artist has a story, and behind many great songs stands an exceptional producer. This Ollyvans Interview introduces one of South Africa’s most respected young producers. Through this Ollyvans Interview, discover how passion, hard work, and versatility continue to shape his growing career.
Olly van Schalkwyk, known professionally as Ollyvans, discovered music at 13 after buying his first guitar with his father. Inspired by The Parlotones and Dire Straits, he quickly developed a passion for performing and songwriting.
After studying sound engineering at Cape Audio College, he found that real studio experience became his greatest teacher.
Starting from a small apartment studio in Kenilworth, Olly gradually expanded his equipment and opportunities. Today, Ollyvans Studios in the Cape Winelands produces music for many South African Afrikaans artists while also working with major record labels.
Working with artists including Juan Boucher, Tasché Burger, and Sunset Sweatshop has taught Olly to embrace different genres. He believes producers should remain adaptable, continue learning, and never fear failure.
Olly usually begins every production by building the chord structure on guitar or keys before adding the remaining instruments. He records vocals last, allowing artists to perform with the complete production in mind.
As a multi-instrumentalist, his Gibson Les Paul, Epiphone SG Pro, and Gibson Thunderbird Bass remain essential tools for creating his signature sound.
Alongside producing full-time, Olly continues pursuing his dream as a recording artist. He plans to release more original music while embracing new technology and performing on South Africa’s biggest stages.
“It is a dream come true to work full-time in the music industry, but I still chase my dream to be an artist.” – Ollyvans
Visit Proaudio today to read the full interview and discover Ollyvans’ inspiring journey from producer to performer, along with his insights into music, creativity, and the future of the South African music industry.
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